apholic

米英only英厨画手,Progressive Rock中毒。为了考据而乱屯东西的地方。涂鸦、脑洞、阅读、歌词、台词摘抄。

英国病人

只是台词摘抄,作为灵感来源。

 Betrayals in war are childlike compared with our betrayals during peace. New lovers are nervous and tender, but smash everything-for the heart is an organ of fire. 
    战火硝烟中的背叛与我们在太平盛世中的背叛相较而言,就天真单纯得多了。初恋的人们心存紧张并满怀柔情,但却可以抵御一切——只因为心如烈火。 
   

    My darling -I’m waiting for you. How long is a day in the dark? Or a week? The fire is gone now and I’m horrible cold. I really ought to drag myself outside but then there’d be the sun. I’m afraid I waste the light on the paintings and on writing these words. We die. We die rich with lovers and tribes, tastes we have swallowed, bodies we have entered, and swum up like rivers. Fears we’ve hidden in, like this wretched cave. I want all this marked on my body. We’ve the real countries. Not the boundaries draw on maps, the names of powerful men. I know you’ll come and carry me out into the palace of winds. That’s all I’ve wanted, to walk in such a place with you, with friends. An Earth without maps. The lamp’s gone out and I’m writing in the darkness. 

   
  感觉这个片子第一次看不太好懂,时间乱得我看到中间一半的时候真的很想弃掉orz,但后面的比较集中的内容就挺值得回味。有些画面特别漂亮,像是汉娜坐在绳子在半空中拿着火炬照亮古代壁画、以及开头结尾穿越沙漠的飞机。对爱情部分倒不那么感冒,我觉得引人思考的大概是“国界”“标签”“拥有和被拥有”;就像上面的台词提到的,真正的国家不是地图上勾画着的边界和强权者的名字。我还没有到能理解这部电影的境界…就不谈我的感想了。

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